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What Migrants Leave Behind
Jeannette de Beauvoir

Content warning: reference of SA

 

They keep the objects collected in plastic bags.
A museum of dead things, a compilation of objects
used to sustain life where life is no longer. Forced
to leave home, what do you decide to take?


            A comb, a jackknife, a religious medal
            A pen, a Boston Red Sox cap


The owners are long gone—starved, exhausted,
dying in the desert of sunstroke or dehydration,
separated from their children, alone, afraid:
Leaving only their artifacts behind
.

            

            A photograph, a ring, a broken watch
           A shoe, the sole peeling off


There’s a word someone carved into a tree:
America, it says, written by a person who still
had faith and hope in “welcome to a better
life” where roving gangs don’t rape your
sister, burn your home, kill your livestock.

            

            A toothbrush, a baby’s bottle, a hairclip
           A rosary, a love letter, a dirty sock


Leaving takes every bit of strength you have—
easy to think it’s better, perhaps, to live with
the devil you know. And what is asylum,
really? You don’t have to disagree with a régime
to need protection from it.

            

            An empty tequila bottle, a Bible, a coin
           A change-purse, a child’s backpack


And they all say:


Once, we were here. Once, we believed.
We had lives, and loves, and laundry
just like you do.
                                                Only now we don’t.

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Jeannette de Beauvoir

Jeannette de Beauvoir wrote a lot of really bad, self-referential, and derivative poetry in her teens—and then didn’t return to the genre for thirty years, during which she turned to writing novels instead (that were a lot less self-referential, derivative, etc.). Her poems are generally somewhat bleaker than her murder mysteries. Some people find that odd. More at jeannettedebeauvoir.com

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